Poets know failure

Rejections from literary publications, misses in contest submissions, “no room at the inn” messages from retreats.

 

A poet sure doesn’t write for any kind of commercial success or broad readership. To do so would be beyond crazy – we all know that readership for poetry is pretty much limited to fellow poets, a handful of literary enthusiasts, and a grab bag of friends and family.

 

Even so, it would be nice if the success rate for publication, grants, awards and other recognition were not so punishing.

 

Cases in point: in the past month, I received the usual collection of “thank you for submitting your work but…” notices from publications across North America. To that I added a “we receive more applications than we can accommodate” turn-down from a writing retreat where I have previously booked writing time. And then, in an essay competition run by a writers organization that I helped to start decades ago, a curt announcement on their web site “It has been decided by the jury not to present an award in this category for this year.”

 

All writers recognize that the selection of writing for publication and awards is highly subjective and difficult. Juries (typically a combination of fellow writers and academics) have their personal tastes and preferences. So any writer who has been at this for a while has the oft-mentioned ‘thick skin.’

 

Yet some rejections kick harder and deeper. The essay competition that decided “not to present an award this year” apparently felt none of the entries even warranted a short list – the life blood for writers.

 

Having won this particular prize in the past, and having read entries this year by fellow writers, I think this is just appalling. This is not the Pulitzer Prize (which, of course, had its own non-award controversy this year). For a writers’ organization to be handing out the “please go away” notices to fellow writers is an especially low blow.

 

Of course, pop media love the “this book was rejected 18 gazillion times before becoming a runaway best seller” story. The reality is that some writing forms will never become best sellers – they simply seek out small clusters of discerning readers.

 

One of the reasons that poetry is not a pop genre is because, unlike other genres, it does not traffic in Hollywood endings or rose coloured glasses. We all spend most of our days wearing very strategically arranged blinkers, like thoroughbreds on a race track, so that we don’t look at the scary and disconcerting scenes all around us. Poems take the blinkers off. It can be uncomfortable.

 

The solace comes from friends, from fellow writers, and from the work itself. Social media is a great place for writers to vent and console. In the past while, the understanding and supportive words of buddies in the writing racket are all that have kept me from walking away from it all.

 

Rosemary Sullivan recently wrote an article on creative writing programs noting that their greatest value is in the community of support that they create for writers. The final paragraph of the piece (first published in Descant magazine and reprinted in The Writers Union of Canada magazine Write) is worthy of quoting in its entirety: